The Shed places a high priority on the health and well-being of all our patrons, artists, and staff. We are monitoring and evaluating news and spread of coronavirus (COVID-19), and we will follow guidance from the Centers for Disease Control (CDC), as well as from Blount County Government and the City of Maryville.

While the immediate health risk from COVID-19 is considered fairly low in the East TN region with no current cases in our area, The Shed is intensifying its cleaning practices across our facility in an abundance of caution to not only prepare for the upcoming concert season, but also to keep the Smokehouse as safe an environment as possible. Precautionary measures we have planned include: new hand sanitizing stations, daily and rigorous disinfection of all high-touch surface areas, such as doorknobs, handles, bar and counter surfaces, and faucets. All menus will be fully sanitized after each customer uses them and then placed in a sterile location. Tables and Sauces will be cleaned and sanitized after each customer and bartenders and kitchen staff will be taking extra precautionary measures to ensure all food and drink preparations are handled with the utmost of care. In addition to these steps, The Shed already exclusively uses disposable plates, cups, and utensils which will cut down on person to person transfer.

The great thing about The Shed is that it is an outdoor concert venue, so the open air environment should help mitigate any unwanted person to person contact. With that said, we ask that all concert attendees be sure to give everyone plenty of space, The Shed is a huge spot with a ton of room for everyone, respect each other and enjoy the show!

As we monitor the progress of the virus, we will let you know of additional measures we are taking as the situation warrants. We are hopeful that things will get better as concert season approaches.

We encourage all patrons to remain vigilant and follow hygiene practices as published by the CDC:

• Avoid close contact with people who are sick.
• Avoid touching your eyes, nose and mouth with unwashed hands.
• Clean and disinfect frequently touched objects and surfaces.
• Do not shake hands and when possible, use your elbows or feet to open doors
• Wash your hands frequently with hot water and soap for 20 seconds (it helps to sing the tune of “Happy Birthday to You” all the way through twice to yourself as you wash, to ensure you are doing a thorough job).
• If you feel ill or experience flu-like symptoms, we urge you to stay home and seek medical care.

Thank you to all of our fans and to the fans of the artists we have, we assure you that we are taking every precaution possible to take care of you the way you take care of us.

Every year, we compile a list of the best records released both nationally and locally. 2018 was tough to pinpoint, but here are this year’s best outings!

Top Albums of 2018

10. “Interstate Gospel” by The Pistol Annies
    
    A return to form for the all female country super group that can’t seem to do any wrong. Half tongue and cheek honky tonk, half modern country radio rebellion, “Interstate Gospel” roots itself in genre bending sounds and relatable lyrics to connect with an audience broader than mainstream country could ever imagine. Can Miranda just stay here, please?

9. “Under New Management” by Brian Paddock
   
   Formerly known as Shimmy from Shimmy & The Burns, Brian Paddock’s solo debut resonates even without knowing his back story. Then you find out he’s a cancer survivor, he had the year from hell on top of that, and he still managed to make an incredible record! But this record isn’t good out of pity, word is most of it was written prior to the woes, it’s good because it’s real and honest. No cheap thrills, no parlor tricks, straight forward and real. Nice to hear that from a local musician who’s trying to make it without compromising himself.

8. “Loversity” by Sam Lewis
   
   Sam Lewis fans from the beginning have been asking for this sound for years, and we finally got it. Full band, southern soul, and timely lyrics prove to be a triple punch of success for “Loversity.” While the name may raise an eyebrow, the content is groove oriented, thought provoking, and undeniably easy to listen to over and over. Sam Lewis is slowly creeping his way out of the shadow of a support act and toward the spotlight of a headliner.

7. “Girl Going Nowhere” by Ashley McBryde
   
   Ashley McBryde has been a mainstay underground performer/writer in Nashville for years, until 2016 when Eric Church fell in love with her music. Now her first major release is one of the most talked about records of the year. Thanks to attention from big stars like Garth Brooks covering her title track and the lead single having mainstream country success, look for McBryde to have a breakout year in 2019. Currently out supporting Luke Combs, she is poised to overshadow anyone she steps on the stage with.

6. “The Tree of Forgiveness” by John Prine
   
   It’s been well over a decade since Prine has released an album full of new material. Like a fine wine, Prine has only grown better with age. Do no wrong super producer Dave Cobb lends his hand to this effort, but honestly, the rawness of the record would lend you to believe Prine was sitting alone in his closet recording the mostly acoustic album. Solemn and full of plenty of breathing room, “The Tree of Forgiveness” doesn’t shove any of its themes down your throat, but instead takes a Dylan-esque approach of letting you have the choice to embrace their subtlety.

5. “We’re All The Same” by Handsome & The Humbles
   
   Perhaps the most timely and relevant album on the list, local favorites Handsome & The Humbles do not disappoint on their sophomore effort. Relatable lyrics and characters seems to come second nature for the group on this record as they paint pictures that any retrospective or introspective individual can find familiarity in. By the way, that’s all of us at some point in our lives, I think that’s the point based on it’s title- it’s definitely what makes this record so great.

4. “By the Way, I Forgive You” by Brandi Carlile
   
   Dave Cobb teamed with Shooter Jennings to produce this critically acclaimed record. Poignantly dark in some spots, Carlile’s sixth record almost requires a sense of urgency when listening to it. The stories are all connected to a bigger picture that shows that sometimes being human is just plain rough. This record was a risk, a lay it all on the line, throw it all out there effort that could have easily backfired, but it didn’t. It is Carlile’s masterpiece.

3. “Find a Light” by Blackberry Smoke
   
   Sometimes satisfying expectations is difficult for artists; BBS make it look easy. Soaked with confidence, “Find a Light” is made for the stage. The album is strong as is, but it is reinforced with heavyweight guests like Robert Randolph, The Wood Brothers, & Amanda Shires. They each add to what has become natural for BBS- strong, well performing albums meant to be played live. And the songs resonate best when heard from the stage, as displayed at The Shed multiple times. While there’s nothing really groundbreaking here, expectations are satisfied and the lyrics all connect to the theme of the need to “Find a Light” in even the darkest of situations.
   And let’s face it guys, music is supposed to be fun. A lot of artists forget that…

2. “Things Change” by American Aquarium
   
   2015’s “Wolves” was acclaimed as American Aquarium’s best record yet by many, including us, but now it has real competition. “Things Change” isn’t subtle in its message; it leaves no room to interpret the opinions of the writer. It is a straight forward and well spoken commentary on the world around us(and not just politics). And it’s damn good. In fact, BJ Barham and the guys’ songwriting has never been better. That’s high praise for a group known for its pen more than anything else. And it’s deserved.

1. “Golden Hour” by Kacey Musgraves

Sometimes the masses get it right. CMA’s and Apple Music’s album of the year is also nominated for the Grammy’s album of the year award, and for good reason- it’s a classic. Beautiful in every way and poised to be her career defining effort, Musgrave’s latest record shines light on a year where darkness is more easily found. “Golden Hour” is the silver lining in mainstream’s current direction.

Honorable Mentions-
“Family Tree” by Black Stone Cherry
“Anthem of the Peaceful Army” by Greta Van Fleet
“Boarding House Reach” by Jack White
“Encore” by Anderson East
“Venom & Faith” by Larkin Poe
“Down the Road Wherever” by Mark Knopfler
“Good Thing” by Leon Bridges
“Wouldn’t It Be Great” by Loretta Lynn

Spotlight Compilations-
“Confessin’ the Blues”
“Springsteen on Broadway” by Bruce Springsteen
“Glastonbury 2000” by David Bowie

Upcoming releases we’re watching for 2019-
“Old News” by The Steel Woods
Whiskey Myers Untitled new album

Every year, The Shed counts down the Top 10 albums, this year was especially hard. Here is what we came up with-

10. “Undivided Heart & Soul” by JD McPherson

Mcpherson pushes boundaries of genre more than ever before with this release. No longer bound to roots or rockabilly music, yet still steeped in it, the album boldly steps out of the box to capture your ears in a way no prior release in his catalog has. “Undivided Heart & Soul” stands out as his best release yet.

9. “Ladies Auxiliary” by Scott Miller

One of the area’s most anticipated releases did not disappoint. More folky and introspective than any Miller record before, “Ladies Auxiliary” is the perfect next step in Scott Miller’s career. Whether it is his last or not, the record will stand out in his catalog for its deep writing and musical prowess. The praise this album received both locally and nationally is well deserved.

8. “The Magpie Salute” by The Magpie Salute

From the ashes of the Black Crowes, the strangly named Magpie Salute formed and started absolutely killing it in front of live audiences. The record doesn’t disappoint, appealing to groove rock, grunge, and classic rock fans all at once. We expect great things out of these guys.

7. “Black Smoke Rising” by Greta Van Fleet

I didn’t know music like this was still being made! This ep came out of nowhere! If this is a preview of things to come, we are in for a rock revival unlike anything anyone has ever seen.

6. “Highway Queen” by Nikki Lane

Lane, who will be performing at The Shed on January 19th, continues to show her growth with this impressive outing. The story telling is at a level of greatness rarely seen, full of western attitude and sopping with feminine power. This best way to experience these songs is to hear them live. *Hint hint, wink wink.

5. “Vanishing South” by Mic Harrison & The High Score

We always try to include a worthy local release on the countdown, and Mic Harrison is fully deserving. “Vanishing South” is the High Score’s best record… ever. Not that it’s surprising, these guys have been doing something special in Knoxville for years. They performed the record in full at The Shed earlier this year and it was a fantastic experience. Every song is just that good.

4. “All American Made” by Margo Price

Price’s sophomore album did not suffer from the success of her debut. Full of traditional sounds and humor, the music is proudly progressive. Following in the steps of Dolly and Loretta, Margo stands up for women in country music in a way that everyone should be proud of. This is the record 2017 needed.

3. “Purgatory” by Tyler Childers

The surprise newcomer of the year. Produced by Sturgill Simpson, this record mixes psychedelic elements with bluegrass in a shockingly enjoyable way. There is really no way to describe all the different things this album employees to make it special, you just have to listen to it.

2. “From a Room Volumes 1 & 2” by Chris Stapleton

Separated by months, these two volumes are included together because they basically are an old school double album. Marketing strategies split the 18 songs into a double release to maximize press, sales, and coverage for Stapleton; and I don’t blame him for trying to increase the buzz. He deserves it. But none of that takes away from the content. The songs are exactly what you want out of a Stapleton record- meaningful, poignant, and fun. No one is doing straight country music better than Chris Stapleton right now.

1. “The Nashville Sound” by Jason Isbell

In the current social climate, nothing was more perfect than Isbell’s “The Nashville Sound.” The 400 Unit returned to back Isbell and the record is his most timely of his entire career. The writing, both lyrically and musically, is the best it’s ever been. Isbell reached a new level of social awareness than he ever has before with this record.  Absolutely great front to back

Honorable Mentions
“Tell the Devil I’m Getting There As Fast As I Can” by Ray Wylie Hubbard
“First Cigarette” by Travis Meadows
“Graveyard Whistling” by the Old 97’s
“A Long Way from Your Heart” by The Turnpike Troubadours
“Southern Blood” by Greg Allman
“Back to Blues” by Black Stone Cherry